Dato/tid
19.05.2017
20:00 – 22:00
Sted
KoncertKirken
Tanja Schlander (dk)
Mikael Ericsson (se)
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Tanja Schlander (dk) works in the field of sound art, montage, performing and noise. She lives and works in Copenhagen. Ever since her childhood she has been fascinated with radio and tapes as a medium. She is a born listener and throughout her adulthood she is taking more and more space up in producing and presenting the sounds that is making her feel, reflect and imagine. She has made sound montages for Denmarks National Radio as well as pirate radio tours around Europe. Has performed at different underground art events in Copenhagen, Amsterdam, Berlin, Zürich, Tromsoe, Malmö, Istanbul and Barcelona under the name TJ (Tape Jocky). In 2003 she founded the performance duo TWINS and Die Geilen Putzen, which has performed at major international events such as Dada Festwoche in Zürich, and Salzburger Festspiele. Group exhibitions include Post Hiphop at MOHS exhibit, Copenhagen, The Girl Effect at Lombard Freid Gallery, New York, She Devil on Tour at the National Museum of Contemporary Art (MNAC), Bucharest, and asking we walk, voices of resistance at the Den Frie Centre of Contemporary Art, Copenhagen
Mikael Ericsson (se)
Mikael Ericsson works with various forms of artistic expressions such as drawing, animation, sculpture, sound, film and television. In the recent years Ericsson has created a series of large-scale audio and video installations using hand drawing animation, florescent light and moving projectors to stage his cinematic installations.
Since 2010 Mikael Ericsson is curator at Harp Art Lab, a sound art laboratory located in Harplinge Windmill on the Swedish west coast. Harp Art Lab invites international sound artists to take up residencies at the venue, especially during the annual Bzzz! Festival, to create and perform (sound) art and experimental music. In the summer of 2012 Mikael Ericsson created Millophonia (Kvarnofonen) – a site specific sound installation. The sails, of the windmill, are now running two enormous bellows that are supplying a modified pipe organ with air. The sound is controlled by a pneumatic mechanism that operates the pipe organ action via piano-rolls that are preprogrammed. This procedure is 100% handmade by cutting, punching and stitching it all together to feed Millophonia with fresh sound art.
http://trumtrum.se
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KoncertKirken Organ Sound Art Festival er en 5-dages musik- og lydkunstfestival i KoncertKirken på Blågårds Plads på Nørrebro. Festivalen løber af stabelen den 17-21. maj 2017.
15 danske og internationale kunstnere vil her præsentere musik- og lydværker, der tager udgangspunkt i kirkens romantiske hovedorgel (Marcussen, 1926), og kirkens særlige rum og akustik.
Der er to koncerter, med to eller flere kunstnere, hver aften.
Værkerne som præsenteres er mere eller mindre direkte komponorede og designede til rummet og lejligheden.
Festivalen ønsker at promovere nye kreative møder mellem de deltagende kunstnere. Flere af de internationale kunstnerne vil derfor arbejde sammen i en form for artist-in-residence under store dele af festivalen. Det gælder f.eks. franske Antez og finske Antti Tolvi, hvilke fandt hinanden under sidste års festival og nu vil udvikle et nyt samarbejde, herunder et fælles værk, sammen.
KoncertKirken Organ Sound Art Festival blev afholdt for første gang i maj 2016 med stor succes.
Festivalen produceres og kurateres af KoncertKirkens daglige leder Björn Ross.
Program:
Onsdag 17 maj 20.00:
Michael Mørkholt (dk)
Christian Rønn & Tobias Kirstein (dk)
Torsdag 18 maj 20.00:
Kit Downes & Tom Challenger (uk)
1250 (Steffen Levring & Joshua Karjala-Svendsen)
Fredag 19 maj 20.00:
Tanja Schlander (dk)
Mikael Ericsson (se)
Lørdag 20 maj 20.00:
Peter Navarro-Alonso & David Hildebrandt (dk)
Antez (fr) & Antti Tolvi (fi)
Søndag 21 maj 20.00
Adi Zukanovic (dk)
Mark Booth (us)
Billetter a 100 DKK /stud 50 DKK sælges i døren fra kl 19.30 hver aften.
KoncertKirken Organ Sound Art Festival 2017 støttes af Københavns Kommune, Statens Kunstfond og Augustinus Fonden